实况足球2011官网

springboarded their creative explorations from local historical and cultural contexts, as well as individual life experiences. In their art, they have referenced such classic works as: the landscape paintings of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
m88betIn Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。 资料来源与版权所有: udn旅游休閒
 

上五峰乡采甜桃 免费搭车听导览
 

不过火宅佛狱不是都会有主体副体的

那邪天那副体呢?
>没什麽福利…
低薪两万…全勤…一千…
这家店…吃的要自负…喝的不用钱
这家店…全面禁菸…摁…客人也都照样抽
这家店…品质差,环境也差…!
这家店…客人素质…烂…


   &nbs
↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
好像梦境一样不真实,   今天要与各位卡友分享一篇有关于彰化县社头乡的旅游报导。

比较不一样的是,这一篇影片 一切就是这麽简单
有如白纸

一切就是简单
有如一杯水

一切就是那麽简单
随手打一篇文章分享

就像生活的一部分
‧猪小排(最好是上面有带肉的)
醃料:
‧酱油:少许
‧冰糖:1大匙
‧红酒:少许
‧黑胡椒粒:少许
做法:
1.将醃料混合后均匀淋在猪小排上,醃渍30分钟
2.将烤箱预热10分钟(240度)

↑三月银盐週记
March 11 2012
三月当代艺术馆的某个展览。



↑三月银盐週记
March 4 2012
好像都需要安排在宜家家居照相一样, =============8/16 update====================================
朋友生日庆生拍~~
穿的比寿星还高调XDDD



但在去了好市多三千次之后,会觉得很自在,因为好市多裡的美国优质商品,你几乎都买得起,也没有售货员跟著你,光只是看看美国人用什麽商品都觉得有趣。格也很合理。
因为和老公很注重睡眠休閒的品质,

整天下雨~PO一些最近钓的

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上图一是黑白设计风格的床被柜
像太极两仪流动的黑白搭配,让卧室除了休憩,还充满了活力,利用高架地板的装设, 让休憩空间,成为更富设计趣味的个人空间,这是老公喜欢的床被柜风格,但风水师说近来不是适合黑色设计,因此就没考虑在内。

探索趣‧溪游记   双流自然教育中心开幕囉~
亲子假日好去处,体验自然现在就出发!
南台湾第一个自然教育中心7/4(六)正式启用!<他。
于是蟒蛇施展自己的绝技, 喝了浓浓的咖啡 心情随著咖啡的浓度 慢慢在身体裡发酵
不知道在等些什麽 看似在等待 咖啡却一杯接著一杯喝 却不知道必须等待谁

抽著浓浓的香菸 心境随著香菸的浓烟 慢慢在空间裡瀰漫<伤害!营养师指出, 运动风潮盛 眼睛也应做防晒
健康医疗网/记者李坊芸报导 2014/06/17
近来运动风气盛行,再加上世界盃足球的狂热拉抬,使得路跑、骑脚踏车的平民运动,也随著入夏时节持续加温。

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